It's pitch day!

(Look at these gorgeous concept art!)

The third year pitches took place today and it couldn't have made me anymore nervous.

You just can't help feeling excited for them and at the same time getting excited about projects you might be working on soon!

Everyone did a great job at presenting their work but there were undoubtedly a few that were just stunning.

It makes me nervous that this time next year we will be doing the same thing.

Definitely learnt a lot about what to do and not to do during while pitching your project.

Good to be back

The second year has begun and so has our first life drawing sessions.

Definitely felt unsure for the first couple drawings but then loosened up a bit, stopped overthinking and things got better.

Learnt a lot more about how to observe and use the time in a session to my advantage.

I need to remember to observe well, think about how all the elements fit together and put down the strokes with a lot more confidence. 

"Life drawing drawings aren't meant to be pretty pictures, they are there for you to learn from."

Note: Studying human anatomy over summer definitely made a difference in the way I viewed the body and each curve or angle. 

Birthday card designs - Summer fun?

It was my guardian's 80th recently and I was asked to draw up the invitation for him.

Wasn't paid for it but hey, I considered it as a birthday present. 

I tried to play with the whole Western & Japanese buffet theme for the card.

I was looking at some food prints online for referencing and found myself drawn to the simple graphic images. With bold colours and solid shapes with solid shadows.

I am quite happy with the result.

All I have to do know is find out what they think of the design and see if there are any more alterations they want me to do.

P.S Finding the right font is super hard! I have so much respect for graphic design students.

Leuchtturm1917 I love your books!!!

I love these little black books. 

This is my second one of these tiny sketch books and I am already needing a new one soon!

They are so small and discreet that I can take them anywhere and literally put them in my pocket. 

This one is Life Saver 2016 - 2017.

The reason I call them 'life savers' is because they actually do save my a** sometimes.

All my notes, phone numbers and ideas get jotted down in them.

Inspired: Roman Muradov

I 've recently stumbled across Muradov's work through Instagram and fell head over heels in love with his work. From his fluid lines to his bold shapes and fantastic characters, there were so many things I've always wanted to try out. I couldn't help imaging how wonderful it would be to see his images animated, with all the layers moving past each other and the fluid lines swimming around the colours. 

So I had ago at experimenting, playing with bold colours, bold shapes and fluid lines.

I loved the way the brush drying out actually made her hair look.

All the bold colours and fast lines came out to play!

As you can see I ended up favouring the primary colours.

It was my first time ever using gouache which made things a lot more fun!

Discovering the new and the old

I was reading an article in the Animation Magazine about the recent Annecy Film festival for this year and found out about lots of new animators, directors and animations shorts. Blind Vaysha by Theodore Usher in particular really stood out to me. Not only was I drawn to the old Bulgarian tale but also I loved the traditional style of the animation. What I thought at first must have been beautifully and painstakingly carved out by hand was actually done with a Wacom Cintiq tablet. I thought that was genius! Bringing the charm of the past into the present by mimicking traditional linocut techniques using digital drawings.

Screen shots from Blind Vaysha

While watching a couple other short animation films online, I also came across Hipopotamy (2014) and Franz Kafka (1992) by Piotr Dumala which reminded me a little of Blind Vaysha. There were similarities I could see in the layering and the marks of the images. However, Dumala actually does carve the images by hand and animates the movements by scratching fine details on to plasterboards with a needle.
Hipopotamy is definitely not a 'feel good' short animation. While I think most of Dumala's animations tend to have a ominous feel about them, Hipopotamy is truly haunting.

I still can't get over how amazing it is how effective short animations can be at getting under your skin or getting you to feel so much in such little time.

The animation was based on a nature film on hippos.

I think the repetition in the film and the reusing the same character for both genders somehow strangely dehumanises them. 

Very strange and very mesmerising to watch.

Anxiety and cars

Scruffy as hell.

Based on my sisters personal description.